RED SCARLET-W (DRAGON)

Rental Offer

Technical specifications

RED Scarlet-W Brain

DSMC2 Red Touch 4.7″ LCD

Wooden camera Easy Riser + Wooden camera Easy Top

Trigger Handle (remote recording)

SmallRig ARRI Dovetail Clamp (19mm)

Rod bracket 15mm

Rods 15mm 5′ i 3′

Lenses Mounting EF

Lenses Mounting PL

V-Mount Expander

3xOLPF (standard, skin tone highlight, low light optimized)

5x filtry tiffen 4×5.65 (ND 0.3, ND 0.6 ND 1.2, polarized, neutral)

Red mini-mag 256gb

Red mini-mag 512gb

Red mini-mag station

Batteries 4x SWIT D-8161R 190Wh (compatible with RED camera’s)

Cable “lemo”

Cable D-Tap

Matte Box Bright Tangerine VIV+ swing away core+ 3x Light Shields (1x top, 2x side)

Follow Focus Shot35 CINEfocus Pro

Zip box + 7x retaining ring with various diameters

Wooden camera shoulder rig

Tripod Cartoni FOCUS 12 + SmallRig Standard ARRI Dovetail

Sensor

Sensor Type	RED DRAGON 13.8 MP Super 35 mm CMOS
EFFECTIVE PIXELS	5120 x 2700
SENSOR SIZE	25.6 mm x 13.5 mm (Diagonal: 28.9 mm)
DYNAMIC RANGE	16.5+ stops
SIGNAL-TO-NOISE-RATIO	80 dB

Recording

MAX DATA RATES	Up to 140 MB/s using RED MINI-MAG
MAX FRAME RATES	50 fps at 5K Full Format (5120 x 2700), 60 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES (PROJECT TIMEBASE)	23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1	5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES	422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 60 fps
AVID CODECS	DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps
TYPICAL MAX RECORDING TIME USING RED MINI-MAG 120GB	5K Full Frame (5120 x 2700) at 24 fps and 11:1 REDCODE: 41 minutes 5K Full Frame (5120 x 2700) at 48 fps and 14:1 REDCODE: 26 minutes 4.5K 2.4:1 (4608 x 1944) at 120 fps and 15:1 REDCODE: 17 minutes

General

Construction	Aluminum Alloy
Weight	3.5 lbs (BRAIN with Integrated Media Bay)
Operating Temperature	0°C to 40°C (32°F to 104°F)
Storage Temperature	–20°C to 50°C (–4°F to 122°F)
Relative Humidity	0% to 85% non-condensing

Features

COLOR MANAGEMENT	Supports 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing
AUDIO	Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL	Integrated REDLINK WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module
Monitor Outputs	3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
Monitor Options	DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

The set is compatible with RONIN balancing systems (including short range sets) – RONIN not included.

The camera rental only with a camera assistant (price arranged individually).

The equipment can be employed for music and advertisement videos as well as cinematic picture productions thanks to its universal versatility. It combines an outstanding quality of high resolution picture within the voluminous stills capacity.

To be as practical as possible, we work using the equipment of various makes. However, when using RED’s cameras we can be certain that we use a tool that provides exceptional quality of adjustable and modular form. You will be able to make most of the tools and adjust them to capture the most challenging shots.

RED tools are very intuitive and user friendly, therefore, the first time users will face no issues with application. Our experiences camera assistants’ team will ensure seamless operation of the equipment while you can focus on your goals.

Gallery

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